Art has always been the place where I feel the most like myself, a space where I can turn my experiences with mental health, frustration, anger, and helplessness into something reflective and meaningful. Much of my practice centers on awareness: awareness of mental health, of the importance of uplifting BIPOC voices, and of the value in shifting perspective.
I frequently incorporate heavy symbolism into my work as a tribute to my passion for art history, evident in my most recent piece, “Bisacodyl Tastes Just as Good”. In addition to this, I utilize various mediums such as linoleum printmaking, digital and physical collage, illustration, digital design, chalk pastel, and watercolor.
I aim for my work to function as a call to action that prompts recognition and responsibility. In my zine “Eyes on Your Own Goddamn Paper”, I confront the tendency of white individuals to place the burden of education on people of color. By directing readers toward resources created by BIPOC authors, the piece exposes this dynamic while offering a tangible path toward change.
Looking ahead, I plan to continue expanding my work into the intersection of political ideology and feminism. Many artworks that claim to represent femininity feel disconnected from my lived experience and from the experiences of my peers. I want to create pieces that reflect more nuanced and genuine perspectives, bringing visibility to realities that have long been overlooked or oversimplified.
At its core, my practice is grounded not only in awareness but also in empathy. I strive to make art that acknowledges discomfort while fostering dialogue, healing, and understanding. Ultimately, I believe art should not simply mirror the world but insist on transforming it.
